UBER FACTS - FOR THE UBER WAKA

The UBER WAKA FACTS

• The Waka is actually a funkily designed pavilion that will seat 200 people and has room for a 1000.
• It is made from the same materials as the Cloud Pavilion. A PVC Covered Frame – to ensure that it is portable.
• Creative NZ funds both the Ballet and the Symphony orchestra to the tune of $4m a year.
• The Waka is being built for less than $1 million
• $1.1 million is for events and cultural performances and entertainment. Its funded from the Cultural Diplomacy fund. That Fund is normally used to “take” Nz Arts to the world – like subsidising the NZSO tour of China. All iwi will be invited to submit proposals.
• As its the RWC 2011 year the funding is being spent in New Zealand because of the Foreigners who will come here.
• The $1.1million for events at the Uber Waka pavillion will have to be applied for in the normal way for each performance.
• But its been set aside for performances in and around the Waka.
• And most of the Cultural Diplomacy fund is being used to fund other RWC projects around the country not on the Waka entertainment.
• So we think that for a tourist they have some choices – food, fashion and industry in the Cloud and Maori Culture in the Uber Waka on the Auckland waterfront. We reckon there will be queues at the Waka and the Cloud. Similar structures are used around the world for Expo type events.

So what its not:

-A plastic canoe

-Something for only one iwi.

-Expensive

-Silly

WHY SUBSIDISE THE UBER WAKA?

Well as taxpayers you subsidise the symphony orchestra and the ballet.

They are both a net burden on the taxpayer. People are saying the last big Maori cultural centre went bust. It did - probably because some skinny arsed pommy sheila wanted to showcase brown people.. And it was all too twee.

The Uber waka is about Maori showcasing what they think is the essence of their culture , both traditional and modern. It is their story.

So to all those who say that NZ should not fund the waka. Well apply the same logic to the Ballet and the Symphony orchestra and chop their funding as well.

Orchestras and ballets are not unique to NZ. Maori are. They are a selling point for the country.

Will the Waka get tourists to come here - of course not. Will it get them to come again and have a longer lingering look. If its done right - yes.

Will it showcase something that is uniquely NZ? yes. Can it be used again? yes.

Each iwi has the chance to promote its region. I think that Ngai Tahu will be all over this opportunity as it gives them a unique spring board to promote their growing network of tourism ventures in the South Island.

Maori have the drive and passion to make this a success.

And can some journalist with a bit of time on their hands please ask Shane Jones to provide evidence of where he has added value to any Maori owned assets. He has always played with other peoples money. And we want to see the evidence where his "skills" have added value.

The kumara vine is awash with concern for the Maori fisheries enterprises.

Go on- have a look - ask some hard questions - there is definitely something fishy going on.

ANTI WAKA WANKERS NEED TO TAKE A GOOD HARD PULL.

We suppose that there is no surprise that the fact a huge waka was to be built as part of the Rugby World Cup 2011 was greeted with derision from across the political spectrum. ACT, and Labour both hate it.

But it is Labours Shane Jones who is looking silliest.

He was first out of the block this morning claiming it belittled Maori. No he belittled Maori by showing that he was wanker who wanted the ratepayer to pay for his guilty little pleasures.

He called it a plastic waka. Its not. Its a grand showpiece for Maori culture. But the Government and the Maori Party were slow to react to the instant media storm he created. It has undoubtedly been the populist story of the day.

The Jones boy has harped on saying it is not " traditional." As a Ngai Tahu muttonbirder we have replaced kelp bags with plastic buckets to store our muttonbirds in. Traditions are not static. We build on what we learn.Traditions evolve. Poi are made out of all sorts of modern material theses days as are piu piu.

So his assertion that it fails for not being "traditional" are spurious.

Not sure where watching porn in a hotel room fits with Traditional Maori practices but maybe Jones Dalmation ancestors were voyeurs...

And perhaps if the Honourable member for the Far North goes in and out of the Uber Waka a few times he might find it is a pleasurable experience.

We think that the Uber Waka or ( Wakanui) is an inspired concept. Its a big idea. Its fun and it represents the pioneer spirit of Maori who travelled huge distances to call Aotearoa home. We are a people of the water. Its our playground, and its our food basket and Waka were the transport so what better way to transport visitors to the past to show our story. It is the very embodiment of modern thinking coupled with a nod to a rich past.

And $2 million is not a hell of a lot in the scheme of things. Especially if it offers Maori the chance to showcase their traditions old and new and offers the chance to develop work skills and jobs.

Maori own the tourism scene in Rotorua - may they give Auckland a shake up.

After all there are by our reckoning a fair few Maori in the All Black Team. They have adopted a traditional Haka as their own. The World Cup imagery is laced with a modern take on traditional Maori designs.

So to say that we shouldn't have something tied to the Rugby World cup that is uniquely Maori is just silly.

 Think about the possibilities of the Big Waka for jobs and for promotion of this country. Remember tourists come here to get a taste of the essential New Zealand - Not all of them will be able to make it onto a real Marae. So the Uber Waka has a place to play in whetting their appetite for more exposure to the many facets of our culture.

Anyway, we think that the Uber Waka is bloody fantastic. So everyone needs to take a bloody big deep breath.